S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated.
"The Parable and Its Lesson" is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time--the Holocaust.
James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.

These stories span the lifetime of a quintessential wandering Jew - born in Buczacz, Poland, living in Germany, and finally settling in Jerusalem - and they bring to life the full gamut of the modern Jewish experience in fiction.This broad selection of Agnon's fiction introduces the full sweep of the writer's panoramic vision as chronicler of the lost world of Eastern European Jewry and the emerging society of modern Israel. Here are stories that portray the richly textured culture of traditional Jewish life in Poland, as well as changes in the life of the community over time.Several stories reflect on the Jewish infatuation with German and Western culture in the interwar period: "On The Road", for example, narrates an eerie encouter on the eve of a holy day between an itinerant Jew and a ghostly company of martyred Jews from the Crusades. The early years of Jewish settlement in the land of Israel are recalled in Hill of Sand, which is also a revealing portrait of the artist as a young man; "A Book That was Lost" is a powerful metaphor for the writer's own journey from Buczacz to Jerusalem.

Shira is Nobel laureate S.Y. Agnon's final, epic novel. Unfinished at the time of his death in 1970, the Hebrew original was published a year later. With this newly revised English translation by Zeva Shapiro, including archival material never before published in English, The Toby Press launches its S.Y. Agnon Library the fullest collection of Agnon's works in new and revised translations. "Shira is S. Y. Agnon's culminating effort to articulate through the comprehensive form of the novel his vision of the role of art in human reality Enacted against the background of Jerusalem life in the gathering shadows of a historical cataclysm of inconceivable proportions, Shira is so brilliantly rendered that, even without an ending, it deserves a place among the major modern novels."

When Israeli Nobel Laureate S. Y. Agnon published the novel Only Yesterday in 1945, it quickly became recognized as a major work of world literature, not only for its vivid historical reconstruction of Israel's founding society. The book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence? Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him. Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.

S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated.
"The Parable and Its Lesson" is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time--the Holocaust.
James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.

To This Day, Nobel prizewinner S.Y. Agnon's last novel (first published in Hebrew in 1952) is also his last to be translated into English. It is a brilliantly accomplished and haunting work. On the surface it is a comically entertaining tale of a young writer - a Galician Jew who has lived in Palestine, returns to Europe on the eve of World War I, and is now stranded in Berlin - who wanders from rented room to rented room in a city with a severe wartime housing shortage. On a deeper level it is a profound commentary on exile, Zionism, divine providence, human egoism, and other typically Agnon concerns. A truly satisfying novel to complete the Agnon canon.

On the surface it is a comically entertaining tale of a young writer - a Galician Jew who has lived in Palestine, returns to Europe on the eve of World War I, and is now stranded in Berlin - who wanders from rented room to rented room in a city with a severe wartime housing shortage. On a deeper level it is a profound commentary on exile, Zionism, divine providence, human egoism, and other typically Agnonian concerns. This is a truly satisfying novel to complete the Agnon canon.

Israeli Nobel Laureate S.Y. Agnon's famous masterpiece, his novel "Only Yesterday," here appears in English translation for the first time. Published in 1945, the book tells a seemingly simple tale about a man who immigrates to Palestine with the Second Aliya--the several hundred idealists who returned between 1904 and 1914 to work the Hebrew soil as in Biblical times and revive Hebrew culture. "Only Yesterday" quickly became recognized as a monumental work of world literature, but not only for its vivid historical reconstruction of Israel's founding society. This epic novel also engages the reader in a fascinating network of meanings, contradictions, and paradoxes all leading to the question, what, if anything, controls human existence?

Seduced by Zionist slogans, young Isaac Kumer imagines the Land of Israel filled with the financial, social, and erotic opportunities that were denied him, the son of an impoverished shopkeeper, in Poland. Once there, he cannot find the agricultural work he anticipated. Instead Isaac happens upon house-painting jobs as he moves from secular, Zionist Jaffa, where the ideological fervor and sexual freedom are alien to him, to ultra-orthodox, anti-Zionist Jerusalem. While some of his Zionist friends turn capitalist, becoming successful merchants, his own life remains adrift and impoverished in a land torn between idealism and practicality, a place that is at once homeland and diaspora. Eventually he marries a religious woman in Jerusalem, after his worldly girlfriend in Jaffa rejects him.

Led astray by circumstances, Isaac always ends up in the place opposite of where he wants to be, but why? The text soars to Surrealist-Kafkaesque dimensions when, in a playful mode, Isaac drips paint on a stray dog, writing "Crazy Dog" on his back. Causing panic wherever he roams, the dog takes over the story, until, after enduring persecution for so long without "understanding" why, he really does go mad and bites Isaac. The dog has been interpreted as everything from the embodiment of Exile to a daemonic force, and becomes an unforgettable character in a book about the death of God, the deception of discourse, the power of suppressed eroticism, and the destiny of a people depicted in all its darkness and promise.